Cliff Caruthers

Press


1984 at Alley Theatre
Photo: Lynn Lane / Alley Theatre

"Cliff Caruthers's space-age electronic music and sound design add immeasurably to the total effect, especially in the torture scenes, which are all the more frightening for their restraint."

The Wall Street Journal — Terry Teachout · 1984, Alley Theatre · April 2, 2020

Born With Teeth at the Guthrie Theater
Photo: Lynn Lane

"Cliff Caruthers' crunch-laden rock interludes prove a fine fit for a production as electrifying as this."

Twin Cities Pioneer Press — Rob Hubbard — Born With Teeth, Guthrie Theater / Alley Theatre · 2023

Frankenstein – Playing with Fire at the Guthrie Theater
Photo: Dan Norman / Guthrie Theater

"The creak of shifting ice and horror-film undertones are the first sounds welcoming audience members… it is precisely due to the covertness of Caruthers' work that this production rises above the bulk of more traditional adaptations."

The Growler — Ellen Burkhardt · Frankenstein: Playing with Fire, Guthrie Theater · 2018

The Hound of the Baskervilles at TheatreWorks
Photo: Tracy Martin / TheatreWorks

"Cliff Caruthers' sound design is excellent. We never see the hound, it certainly sounds scary."

Regarding ArtsThe Hound of the Baskervilles, TheatreWorks · 2014

American Night: The Ballad of Juan José at California Shakespeare Theater

"Cliff Caruthers's sound design is laced with a delightful mix of music from Woody Guthrie to Vanilla Ice, Wagner to Korean rapper Psy."

KQED ArtsAmerican Night: The Ballad of Juan José, California Shakespeare Theater · 2013

Ubu Roi at Cutting Ball Theater
Photo: Sarah Roland / Cutting Ball Theater

"While all of the design elements are superb, Cliff Caruthers' wonderful sound design deserves a particular call out."

TheatreStormUbu Roi, Cutting Ball Theater · 2014

"Cliff Caruthers' evocatively disturbing music (reminiscent of Twin Peaks), video installations and masterful sound design are perfect examples of technology that enrich storytelling."

Stage and CinemaThe Tempest, Cutting Ball Theater · 2010 · SFBATCC Nomination, Composer / Projections / Sound Design

"Cliff Caruthers sound design chilled me to the bone."

Beyond Chron — Lee Hartgrave · Mud, Cutting Ball Theater · 2009

Bug at SF Playhouse

"Struck by the production's use of sound, not just to move from one segment of the tautly told story to the next, but to fill each scene with a sense of place and, true to Bug's emphasis on surveillance and paranoia, of foreboding."

Disquiet — Marc Weidenbaum · Bug, SF Playhouse · 2008 · SFBATCC Winner, Outstanding Sound Design

Dracula at Center REP Theatre
Photo: Kevin Berne / Center REP

"The set and sound ultimately power the production… I loved the constant sense of dread and impending shock created by the pulsing soundtrack, with occasional thunderous jolts."

Stark Insider — Clinton Stark · Dracula, Center Repertory Company · 2010 · SFBATCC Winner, Sound Design, 100–300 Seats

Opus at TheatreWorks Silicon Valley
Photo: Mark Kitaoka / TheatreWorks

"The standing ovation Opus received on opening night was deserved… for its superb technical execution."

Stark Insider — Clinton Stark · Opus, TheatreWorks · 2010 · SFBATCC Winner, Sound Design, Over 300 Seats

A Dreamplay at Cutting Ball Theater
Photo: Cutting Ball Theater

"The remarkable sound design by Cliff Caruthers deserves particular mention."

TheatreStormA Dreamplay, Cutting Ball Theater · 2016

▶ Listen: Theme from A Dreamplay

Pelleas and Melisande at Cutting Ball Theater
Photo: Annie Paladino / Cutting Ball Theater

"Omnipresent shimmery music by Cliff Caruthers burbles throughout, at times suspenseful or placidly romantic."

Marin Independent JournalPelleas & Melisande, Cutting Ball Theater · 2011 · SFBATCC Nomination, Outstanding Sound Design

Revolt. She Said. Revolt Again. at Crowded Fire Theater
Photo: Cheshire Isaacs / Crowded Fire Theater

"This whirlwind collage of scenes, this anarchic cacophony of a play is that rare theatrical work that lives up to the revolutionary promise of its title."

San Francisco Chronicle — Lily Janiak · Revolt. She Said. Revolt Again., Crowded Fire Theater · 2018

Shout in the Dark – Deborah Slater Dance Theater
Photo: Robbie Sweeny / Deborah Slater Dance Theater

"The soundscape is atmospheric and soothing with naturalistic sounds, such as rain, overlapping music featuring marimba, xylophone, piano and the occasional vocal line."

Dance ReviewShout in the Dark, Deborah Slater Dance Theater · 2025

A Christmas Carol at Alley Theatre
Photo: Lynn Lane / Alley Theatre

"Cliff Caruthers's haunting sound work… a wondrous piece of theater."

Houston Press — D.L. Groover · A Christmas Carol, Alley Theatre · 2024

Sound design and music for Earth Primer (design by Chaim Gingold, 2015) — App Store Best of 2015 · AASL Best STEM App 2016 · IndieCade Finalist (E3 2015) · Fast Co. Innovation by Design Finalist · GDC Experimental Gameplay Workshop Official Selection · Tokyo Digital Children's Book Fair Official Selection 2017

Earth Primer Press Kit